Abhang singing in Tamil Nadu.

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In Tamil Nadu, the influence of the Vittal Bhakti cult and the tradition of Abhang singing is indeed notable, showcasing the region’s openness to devotional practices from different parts of India. Here’s a closer look at how these traditions have taken root in Tamil Nadu:

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Vittal Bhakti Cult in Tamil Nadu

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1. Temples and Worship:
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• Tamil Nadu is home to several temples dedicated to Lord Vittal, the most prominent being the Vittal Rukmini Temple in Thiruvallikeni (Triplicane) in Chennai. This temple is an important center for Vithoba worship in the state.
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• Other temples include those in places like Govindapuram, where Vittal and Rukmini are venerated.
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1. Festivals and Pilgrimages:
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• Just like in Maharashtra, the Ashadhi Ekadashi and Kartiki Ekadashi festivals are celebrated with fervor in Tamil Nadu, particularly in temples dedicated to Vittal.
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• Pilgrimages and processions are common during these festivals, with devotees participating in large numbers.
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Tradition of Abhang Singing in Tamil Nadu

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1. Adoption and Adaptation:
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• Abhang singing has been warmly embraced by Tamil Nadu’s musical community. Many Carnatic musicians include Abhangs in their repertoire, integrating them seamlessly into classical concerts.
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• This inclusion has helped popularize Abhangs among Tamil audiences, who appreciate the devotional and melodic richness of the hymns.
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1. Notable Performers:
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• Prominent Carnatic musicians such as M. S. Subbulakshmi, Aruna Sairam, and Bombay Jayashri have played a significant role in popularizing Abhangs in Tamil Nadu. Their renditions often include a blend of Tamil and Marathi devotional elements.
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• These musicians have performed Abhangs at major music festivals and concerts, helping bridge the cultural gap between Tamil Nadu and Maharashtra.
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1. Cultural Integration:
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• The tradition of Abhang singing in Tamil Nadu has been enriched by local musical styles and traditions. This fusion creates a unique blend that resonates with Tamil audiences while maintaining the essence of the original Marathi hymns.
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• Devotional gatherings, bhajan sessions, and religious events often feature Abhang singing, highlighting its widespread acceptance and popularity.
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1. Musical Ensembles and Instruments:
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• In Tamil Nadu, Abhangs are often performed with traditional South Indian instruments like the mridangam and veena, along with the harmonium and tabla, creating a harmonious blend of North and South Indian musical traditions.
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Cultural Exchange and Influence

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The presence of the Vittal Bhakti cult and the tradition of Abhang singing in Tamil Nadu exemplifies the cultural exchange that has historically occurred in India. The Bhakti movement, with its emphasis on personal devotion and accessibility of the divine, transcends linguistic and regional barriers, fostering a shared spiritual heritage.

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Modern Context

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1. Contemporary Performances:
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• Many modern-day performances, including those at the Margazhi music season in Chennai, feature Abhangs, demonstrating their enduring popularity.
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• Devotional music albums and recordings by Tamil artists often include Abhangs, further spreading their reach.
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1. Community and Cultural Programs:
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• Cultural programs and community events in Tamil Nadu frequently incorporate Abhang singing, reflecting the inclusive and diverse nature of Tamil culture.
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• Educational institutions and music schools in Tamil Nadu also teach Abhangs, ensuring that future generations continue to appreciate and perform these devotional hymns.
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The integration of the Vittal Bhakti cult and Abhang singing into Tamil Nadu’s cultural and spiritual life highlights the region’s rich tapestry of devotional practices and its receptivity to diverse religious traditions.

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